Continue reading “Written on the Body of the Tiger: An Interview with Rikki Ducornet”
Tag: Interview
Snapping Synapses: An Interview with George Salis
Upside-down lightning, a group of uncouth skydivers, resurrections, a mother’s body overtaken by a garden, aquatic telepathy, a peeling snake-priest, and more. Sea Above, Sun Below is influenced by Western myths, some Greek, some with biblical overtones, resulting in a fusion of fantastic dreams, bizarre yet beautiful nightmares, and multiple narrative threads that form a tapestry which depicts the fragility of characters teetering on the brink of madness. Within you will find flashes of immolation and mutilation, transubstantiation threaded through thematic and genealogical membranes in a literary voice composed of whispers over wails.
Continue reading “Snapping Synapses: An Interview with George Salis”
Babel and Babylon: A Rare Interview with REYoung
The Apocalypse of Wordlessness: An Exclusive Interview with Alexander Theroux
Round the Decay of That Colossal Wreck: An Interview with Ngũgĩ wa Thiong’o
Essential Identities: An Interview with Fowzia Karimi
Tree People or Sea People: A Rare Interview with Wendy Walker
Editor’s Note: Wendy Walker has appeared twice so far in my column Invisible Books. I first covered her debut collection of short stories, The Sea-Rabbit (Sun & Moon Press, 1987), then I reviewed her novel The Secret Service (Sun & Moon Press, 1992). I’ve now had the pleasure of corresponding with Wendy, so please enjoy this interview with a true talent and a delightful person. All of the accompanying art is by Wendy Walker. The featured photo above is by Wendy Walker and Tom La Farge.
Continue reading “Tree People or Sea People: A Rare Interview with Wendy Walker”
Intelligent Seasoning: An Interview with Chris Via of Leaf by Leaf
Giants in the Earth: An Interview with Steven Moore
One Thousand and None Nights: An Interview with Rhys Hughes
George Salis: You’ve been working on an ambitious project, a 1000 story cycle titled Pandora’s Bluff that you’ve nearly finished. What can you tell me about it? It’s one story less than the Arabian Nights. Do the Nights have any influence on this project?
Continue reading “One Thousand and None Nights: An Interview with Rhys Hughes”
