Bartleby by Chris Scott Published on October 9, 2022October 9, 2022 by The CollidescopeLeave a comment Continue reading “Bartleby by Chris Scott” →
Geometry Lesson Published on October 9, 2022October 9, 2022 by The CollidescopeLeave a comment Continue reading “Geometry Lesson” →
The Never-Ending Original: An Interview with Suzanne Jill Levine Published on October 2, 2022September 17, 2022 by The Collidescope1 Comment Continue reading “The Never-Ending Original: An Interview with Suzanne Jill Levine” →
now, phantasmagorical Published on October 2, 2022September 16, 2022 by The Collidescope1 Comment Continue reading “now, phantasmagorical” →
Sifting Through Rubble: An Interview with Mark de Silva Published on September 29, 2022September 29, 2022 by The Collidescope2 Comments Continue reading “Sifting Through Rubble: An Interview with Mark de Silva” →
A Review of The Logos by Mark de Silva Published on September 29, 2022September 29, 2022 by The CollidescopeLeave a comment Continue reading “A Review of The Logos by Mark de Silva” →
A Cultural Wasteland: An Interview with Robert Lopez Published on September 25, 2022September 17, 2022 by The Collidescope1 Comment Continue reading “A Cultural Wasteland: An Interview with Robert Lopez” →
In Order to Pray for History as It Happens, or After Published on September 25, 2022September 16, 2022 by The CollidescopeLeave a comment Continue reading “In Order to Pray for History as It Happens, or After” →
A Piece of Lake Came Loose Published on September 18, 2022September 13, 2022 by The CollidescopeLeave a comment Continue reading “A Piece of Lake Came Loose” →
An Incessant Mending / Un incessant raccommodage: A Bilingual Interview with Liliane Giraudon Published on September 16, 2022September 21, 2022 by The CollidescopeLeave a comment Continue reading “An Incessant Mending / Un incessant raccommodage: A Bilingual Interview with Liliane Giraudon” →
The Subtractions of Ronald Johnson Published on August 28, 2022August 26, 2022 by The CollidescopeLeave a comment Continue reading “The Subtractions of Ronald Johnson” →